Published: Sunday, 18 August 2019 08:19
Written by Lee-Ann Khoh
The Apparatus grabs your attention as soon as you walk into the theatre. Mostly because Tim Green is munching on snacks behind a mixing desk in the corner of the stage, with his face painted white, wearing nothing but his underwear. Humphrey Bower soon joins him, similarly dressed, but unlike Green, he acquires more costumes as the show progresses. (As a word of warning, the show in question does get pretty graphic, but not because of the semi-nudity.)
The Apparatus has been adapted from three Franz Kafka stories: Before the Law, The Burrow, and In the Penal Colony. In Part One of the play, a man spends his life trying to gain access to a door guarded by a gatekeeper. In Part Two, Bower seamlessly transitions into the role of an animal, paranoid about defending the burrow he has created. Finally, in Part Three, Bower transforms again, this time into a camo-wearing, broad-accented Australian man, channelling certain politicians as he showcases a new torture device.
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Published: Wednesday, 17 July 2019 09:16
Written by Nita Teoh
Beneath the tranquil waters of 19th century rural Vietnam, we see the turbulent undercurrents through the eyes of 14 year old May as she enters an arranged marriage to the head of a wealthy family in payment for her father's debt.
“The Third Wife” is a cinematically beautiful piece, showcasing the ebb and flow of life and its interconnectedness with nature and its seasons. We see the family go about their everyday routines – putting food on the table, and attending to daily chores.
As May adjusts to life with her new family, she comes of age, and soon realises that bearing a son will bring her an increase in status within the patriarchal household.
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