Diehard fans turned up at the Camelot Outdoor Cinema yesterday evening rain, hail or shine to kick off the opening launch party of Flickerfest 2020 in Perth.
The BAFTA recognised international short film festival celebrates an impressive 29th year of being run across Australia.
A special shout out to Perth local film makers who were featured on the opening night. Father and son team Jay Jay and Radheya Jegatheva with The Quiet (the contemplation of an astronaut out in space), director and writer David Vincent Smith for Featherweight (as the writer) and I’m Not Hurting You (as the director) (a topical one on meth addiction), Freo local Lewis Attey for his Three Stories inside a Local Van and Jamie Helmer for The Diver (as co-director).
This weekend Flickerfest will feature the EU short film showcase on Friday 28 February and will finish up on Saturday evening 29 February with a short laughs comedy theme.
Both my partner and I were looking forward to heading down to the Somerville Auditorium to check out Adam, a cinematic masterpiece from Morocco as part of the Perth Festival.
In a time where the trend seems to be towards bigger, flashier and shallower entertainment that is larger than life, Adam is a quiet and introspective glimpse into the current day world of famed Casablanca, where modern times and centuries old traditions mingle freely.
We are first introduced to Samia, a young pregnant women who is far from home and looking for a job and a place to stay. After numerous rejections, she ends up sleeping on the doorstep opposite Abla's house, the widowed local baker who lives with her young daughter Warda.
With a title like “Boys Taste Better with Nutella”, I wasn’t sure what my partner and I had gotten ourselves into with our last Fringe Perth show for the season.
Seated in the front row, we didn’t have to wait long before two colourful characters pranced out onto the stage - the lady in her bright red dress and the man in his denim overalls.
Exuberant, playful and funny, Aggy and Frederick are the second best of friends, and support each other through their many relationship breakups (and there are many!).
It was a funny yet painfully excruciating performance in parts (in a “I can’t believe they did that?!” and “that didn’t just happen?!” sort of way), as the duo shared stories of their many and varied love adventures, both face to face and on the internet. Their k-pop rendition was a blast and the mukbang sequence by Frederick was unforgettable!
As we were walking towards The Actors Hub Studios in East Perth, my partner and I were chatting about this and that, and the conversation led to him saying “women are a mystery...” and “some more complicated and others easier to understand...”. I was hoping I fell in the latter category!
A topical conversation – given that we were heading to The Actors Hub to watch At Affinitys End.
At Affinitys End revolves around 3 main characters - Megan and Brendan (the couple), and a communications consultant / relationships counsellor dubbed “Dr” – each month the couple have a session with Dr to work through their relationship issues.
A simple set greeted us on stage - 2 green chairs, with a bouquet of flowers on the side table, “Dr’s” desk and some black pouffes. We then got an intimate look into the lives of the couple, through their regular visits to “Dr”, demarcated by a sequence of clothes changes.
Set in a not-so-distant future where China has stepped in and taken over a disaster wracked Australia, The Empire being performed by the Actors Hub as part of Fringe Perth is a bleak mixing of The Matrix, Pokemon Go, Call of Duty and The Hunger Games, along with the comments section on YouTube!
Firmly under the thumb of their new Chinese masters, 80% of Australians take refuge in “The Game”, an augmented reality program where they can return to the good old days of Australian values and experience the freedoms they are denied in real world.
But despite the best efforts of the triad of power at Hubris (The Game's developers), The Game is not safe. There are rumours that people are vanishing and turning up dead months later, if they are ever seen again at all!
My partner and I went out a bit later than usual to take in The Wives of Wolfgang at Fringe Perth. Usually we prefer to catch an early evening show, but we are suckers for a good cabaret and The Wives of Wolfgang, with its premise of a wife unburdening herself at her husband's funeral reception, was too tempting to resist.
So there we were at the Girls School at 9.30pm, waiting in line like good little schoolchildren with the rest of the audience for the teacher to come lead us through the school to our venue, Chemistry (I assume the old Chemistry Lab). I think there were a few of us experiencing PTSD flashbacks as we were instructed to stay together and follow the people in front of you closely so you don't get lost!
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