A musical about the Spudshed guy?
I had no idea what to expect when I went to see Tony Galati the Musical, but it was a full house that joined me on a stiflingly hot opening night. And boy, did the musical deliver.
Through entertaining songs and choreography, we are introduced to Galati’s Sicilian roots, his family’s market garden in Perth, his highly publicised battles with the potato board, and his now-iconic Spudshed supermarkets. The show does take some creative license (which is acknowledged) as it tells us the story of a loveable Aussie battler.
As the saying goes “sex sells”, and given that it was a full house at the Blue Room Theatre yesterday evening for the start of 30 Day Free Trial, I guess it does!
30 Day Free Trial is the brainchild of Charlotte Otton and Andrew Sutherland. Each co-creator achieved stardom and awards at Fringe World last year with Charlotte’s Feminah and Andrew’s Poorly Drawn Shark respectively.
They are a dynamic duo on stage to say the least. Laugh out loud, groan, cringe funny...their banter back and forth takes the audience on a wild ride with confessions on sex adventures, porn use and where it all goes wrong. The icing on the cake was the cringe-erotica slam poetry!
Just wondering - how many hours do you spend consuming porn on the Internet each day?
Not a question you would really want to ask someone, and if you did and they were candid about it, perhaps you would be shocked.
The Actors Hub takes a confronting look at porn and addiction in its latest production at Fringe Perth – “The Innocent Pawn”. Being advertised as part entertainment and part education, I wasn’t sure what I was in for.
The actors kicked off the night’s proceedings with how this all got started, and how we have always had pornography in some shape and form throughout time immemorial - after all the human interest in sex does date back quite a bit!
Although in no phase of history has porn been as pervasive and easily accessible as our current times. There is a whole generation of young adults whose over consumption of technology and constant dopamine hits has reached the stage of de-sensitisation.
They say you never forget your first love.
And as we see in the Australian premiere of Post-Mortem, this is certainly the case for former lovers Alex (played by Iskandar Sharazuddin, who also wrote the play) and Nancy (Essie Barrow).
The two of them first cross paths as 17-year-olds while dissecting a pig’s heart in biology class, and soon find themselves in a relationship they believe will last forever. Years later, they meet again at their friends’ wedding and try to dissect where it all went wrong.
Over the course of an hour, Post-Mortem explores young love through Alex and Nancy’s relationship, jumping backwards and forwards between the past and the present.
In these times of gender fluidity, pan-sexuality and the LGBT+ alphabet, you could be forgiven for feeling a bit confused about it all. What's the correct pronoun? Which toilets do trans people use? Do they still have their original naughty bits?
Never fear, Krishna Istha (25) – self confessed fence sitter and testosterone taking transgender bisexual – is here at The Blue Room for Fringe World 2020 to answer all your questions. Well, actually Krishna isn't here to do that, but they won't answer them in such a way that you'll learn a thing or two and have a laugh at the same time.
As I stepped into The Blue Room Theatre for their latest performance, the nearby Perth Cultural Centre was abuzz with people partaking in Fringe Perth activities.
With the title “Maureen: Harbinger of Death”, I was curious about what might be in store, with the promo materials describing the play as one that explores the themes of friendships – in particular with older women, inter-generational relationships, ageing, and death - told through a queer lens.
The audience is transported to an apartment in Kings Cross – it is a simple set with solo performer Jonny Hawkins (a WAPAA graduate) at the fore. One minute he is briefly introducing us to the character of Maureen and the next he is Maureen sitting in the lounge room of her apartment. A quick change into a dress and earrings and we are off and running.
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